Filmvisning: Kortfilmer
søn. 20. okt.
|Vega Scene
I samarbeid med Vega Scene viser vi film hver søndag i oktober. Årets tema er «Frigjøring og fantasi». Søndag 20. oktober vises det et kortfilmprogram.
Tid og sted
20. okt. 2024, 13:00
Vega Scene, Hausmanns gate 28, 0182 Oslo, Norge
Om arrangementet
Kjøreplan:
12:45 – Innslipp
13:00 – Intro BHMN, 5 min
13:05 – African family dinner (2024), 12 min
13:17 – Kalunga Entities (2021), 12 min
13:29 – Ritual of Non-Ritual (2023), 13 min
13:42 – Queen Hunter (2017), 51 min
14:33 – Samtale med Luanda Carneiro Jacoel og Tani Dibasey, 25-30 min.
15:00 – Ferdig
African family dinner (2024)
Ibrahim Mursal
Komedie, 12 min
Mona, en norsk blondine, er spent på å møte sin ghanesiske kjærestes familie for første gang. Det som starter som en hyggelig middag med begge sider ivrig etter å imponere hverandre, utvikler seg raskt til historiens kleineste middag!
Regissør: Ibrahim Mursal
Manus: Tani Dibasey
Skuespillere: Mathilde Storm, Tani Dibasey
Produsent: Geir Bergersen
Kalunga Entities (2021)
Luanda Carneiro Jacoel
Concept/performance, 12 min
Kalunga Entities is a body in transit, carrying with it entities that travel through temporalities, evoking archives and engaging with the unknown. Artist Luanda Carneiro Jacoel, explores bodily movement and visual elements to create install-actions in spaces. This video-performance is a collaboration with visual artist and musician Azul Filho de Luiz and is part of a series exploring the meanings of "Kalunga" within the Bakongo Cosmogram (Dikenga), representing the boundary between the living world and the realm of ancestral souls.
Video/Music: Azul Filho de Luiz
Sound designer/Music: Mathias Ferkjær
Location: Norway
Ritual of Non-Ritual (2023)
Luanda Carneiro Jacoel
Performative Install - Actions/ urban interventions, 13 min
This performance film by Luanda Carneiro Jacoel is part of the MANIFEST Project (2023-2024), focusing on re-imagining the perspectives and history of the transatlantic trade of enslaved people in Europe. Utilizing the “Bakongo Cosmogram” as a site-specific map in Lisbon, the work engages in performative urban interventions that activate memory, identity, and ancestral heritage within the Afro-Diasporic body. Through ritual and performance, it transforms spaces into live archives of collective memory.
Video - Caption: Bianca Turner
Location: Rosa dos Ventos, Belém, Lisboa
Queen Hunter (2017)
Rosie Collyer
Documentary, 51 min
Meet the ‘Queen Hunter’ Aisha, who catches Boko Haram fighters and searches for kidnapped children in northern Nigeria. Among the thousands of hunters enlisted by the Nigerian army, Aisha Bakari Gombi stands out as one of the few women fighting against Boko Haram. With her shotgun slung over her shoulder, she ventures into the scrub of Borno, the northeastern province of Nigeria long plagued by attacks. Despite challenges, Aisha never stops trying to liberate captives, navigating her multiple roles as a commander, a hunter, and a wife.
Samtale med filmskaperne (20 min)
Ibrahim Mursal er en norsk, somalisk, sudansk filmskaper og skribent. Etter endt utdannelse som oljeingeniør fulgte han lidenskapen sin innen film, og har laget flere kortfilmer og hans prisbelønte debutdokumentar The Art of Sin (2020).
Luanda Carneiro Jacoel (BR/NO) is a performance artist working with the principles of ancestry, memory and temporality in the Afro-Diasporic body. The work crosses boundaries between dance; ritual; installation and video-performance. She is a PhD fellow in artistic research in film and related audio-visual arts (FILMART) at Norwegian Theatre Academy (NTA) and The Norwegian Film School (INN).
Rosie Collyer is a documentary filmmaker and journalist. She focuses on finding ordinary people with extraordinary stories often in under-reported conflict zones or climate-affected hotspots. ‘Queen Hunter’ (2018) received critical acclaim in Nigeria and around the world for its deeply personal portrait of Aisha Bakari Gombi, an African woman on the frontline of one of Africa’s deadliest conflicts. 'Ahmad the Architect’ (2020), filmed in northern Nigeria, followed one man’s quest to build schools in a region embroiled in an Islamic insurgency. ‘Kerim’s Climate Odyssey’ (2021) took place on board a Norwegian research vessel as researchers mapped the effects of rising sea levels on communities in low-lying Caribbean islands.